UNIT 1 _ Ceren Ozgan

Description

Formally, this project, which consists of a combination of circular and sharp masses, has created a complex with many public spaces by combining both learning and living spaces. The 12 writing rooms, created by Wunderkammer works based on Wallace Stevens's poem Thirteen Ways of Looking at a Blackbird, are located in two parts of the project, indoor and outdoor. It is possible to see the combination of these forms both in masses, landscape and hardscape. Circular masses extracted from rectangular masses have been rotated to form dynamic facades extending upwards. Wooden bars of different sizes seen on the façade are a way of expressing this dynamism. The placement of the masses is obtained by associating and ordering them parallel to a circular center. Finally, the long elements that wrap around the land like a band formed a continuity within the land, transformed into masses in some areas and were functionally associated with other areas through interlocking.